"Charles IV of Luxembourg (May 14,1316 - November 29, 1378), originally baptised Wenceslas, was the last descendant of the first old Czech dynasty of the Premyslids on his mother Elizabeth´s side. His father, Czech king John of Luxembourg, separated him from his mother and, after many years of separation, sent him to France to be raised at the royal court. There he received an excellent education. One of his educators was Pierre Roger, who foretold the young prince an imperial future. The sharp-witted young man responded to this flattery by saying that his educator would first have to become a pope. Both of these prophecies came true. Pierre Roger became Pope Climent VI, and Moravian Margrave and Roman King Charles was elected Roman Emperor by imperial elecetors on July 11, 1346. One month after the death of his father, Charles became the Czech King. During his reign, Bohemia (Czech Rep.) became an oasis of serenity and peace, Prague thrived, and Charles founded Charles University in his royal seat. This is why he is called the Father of the Homeland.His Latin autobiography Vita Caroli became famous.
Peter Parler - the architect, the builder of
St. Vitus´s Cathedral,
the Charles Bridge, the New Town, the castle Karlstejn, Prague of the 14th century buildings.
Peter Parler´s exact date and place of birth has not yet been documented. It is generally believed that he was probably born in Cologne, Germany, sometime in 1333.
Peter Parler came from a family of master builder Henry Parler. Members of this large family worked in construction works around all of Europe - in Nurnberg, Vienna, Basil, Ulm, Zegreb and other cities.
Peter (Pierre) means stone, Parler (parler) means to speak in French.
His father Henry Parler was in charge of the construction of the Holy Cross Church in Schwabish Gmund town, and from the year 1336, of the construction of the Minster in Augsburg as well. According to tradition, young Peter received his master builder´s education at his father´s works. A twenty-year-old Peter worked on the construction of Virgin mary´s Church in Nurnberg, the Western part of which was founded by Charles IV. Peter also worked on the construction of the cathedral in Cologne, Germany, where he met his first wife, the daughter of stone-mason Hamm. His stay in Strasbourg is more than interesting for us in respect to the circumstainces of the origin of the Prague Horologe."
"Another source of information is a memorial stone plate embedded by the canonry in the Southern pillar of the Golden gate of St. Vitus´s Cathedral. Its inscription specifies the consecration of the chancel to Virgin Mary and St. Vitus in the year of 1385, the foundation of the triple-aisle nave in the year of 1392 when rector Vaclav Radec was in charge of the construction and Peter Parler directed the construction works, and the transfer of the remains of St. Adalbert and the Five Saint Brothers from an old church to a new church in the year of 1396. Peter Parler is mentioned twice in weekly construction bills dated from the year of 1373. Peter´s sandstone tomb slab, discovered together with that of Matthias in the year of 1928, says that Peter Parelr died on 13July 1399 at the age of sixty-seven.
Peter Parler was commissioned in Prague to continue with the construction of St. Vitus´s Cathedral. The cathedral church at the Prague Castle was founded on 21 Nov. 1344. Its first master builder was Matthias of Arras whom Charles IV had met during one of his frequent visits to Avignon, France. The Prague bishopric was just about to be promoted to archbishopric, and it became necessary to build a representational cathedral for the new ecclesiastical province. Matthias was commissioned to build the cathedral and was in charge of its construction for eight years. He completed the construction of the chancel, eight side chapels, and pillars.
A twenty-three-year-old Peter Parler took on the construction which, after the death of Matthias in the year of 1352, had been abandoned.
The emperor had no time to immediately look after a new master builder. When travelling through Schwabisch Gmund on the verge of the beautiful summer of 1353, the emperor noticed a new construction of the Holy Cross Church that was beautiful. Therefore, Charles IV stopped there.
When Henry parler was showing the church to the emperor, the latter became intrigued by the stone-mason´s work of Henry´s son Peter. After having seen the church, Charles IV asked the young man if he would be interested in directing the construction of the in-progress cathedral in Prague, which the emperor probably considered the most important ecclesiastical building in all his empire. The young architect became the head of the construction works, quickly hiring new people..."
Saint Vitus´s Cathedral
Petr Parler employed one hundred and eighty people in his workshops, including two dozens Czechs, the rest came from Germany, Flanders, Poland, and HUngary. Other works were similar in their "Babylonian" composition, and as a result workers were unable to communicate by any means other than a kind of secret sign language. It was common that many old stonemasons and their apprentices were unable to read and write. They had to communicate with signs and symbols, this is demonstrated in the legend of the South Portal. The southern portal became the main entrance at Charles IV´s request, despite the unsusual tradition of entering from the west, in this way Charles wished to emphasise the importance of the ruling court.
Some secret signs found their way into secular life, for instance, the symbolic crossing of one´s neck with a wetted forefinger. In Europe and Arab countries in the Late Middle Ages it formed part of a special truth-saying oath, by which a person could proclaim their honesty. The person wetted his finger with his lips, ran his finger across his neck, and announced: "Behold! It was wet, now it is dry. God punish me...if I lie".
Every foundry had its own recognisable symbol in the form of a geometric figure, which was used as a template for the personal symbols of Masters, Parlers, and Journeymen. Under cetrain circumstances these symbols could be used as a coat-of-arms. Members of the stone works lived fraternal lives, and met together at dawn to practise various religious rituals and rites. They recognised each other through secret symbols, sayings, and sometimes clothes.
Gargoyles of St. Vitus´s Cathedral
As if cut from the devil´s cloth, creatures half-human, half-beast, with contorted expressions of mockery and rage, hurling water from their spouting mouths on earthly sinners of the Middle Ages. the presence of these "dragons from heaven" seemed to indicate that even the "strength of the serpent could be tamed", and gargoyles were found on all churches, in the highest places, under vaults and over arches, leering from tower walls and peaks.
Prague Golden Castle (the 14th century)
The fact that Charles IV´s concept of Prague as the New Jerusalem endeavoured to combine the symbology of the Terrestirial and Celestial Jerusalem is supported by other acts of the great emperor in our capital city.
The most sacred place of St. Vitus´s Cathedral - St. Wenceslas´s Chapel - bears the stamp of unambigous symbology. Its basic dimensions (without the vault) are cubical, its walls are encrusted with twelve types of precious stones - exactly those mentioned in the Revelation of St. John In the Middle Ages, the entire castle that had been reconstructed from ruins by the order of Charles IV resembled Jerusalem. Historical annals show that in the year of 1370 it had two castle towers, the Eastern and Western tower covered with gilded leads which reflected sunrays to a great distance.
Although today both gilded towers are a thing of the past, the idea of the golden , shining castle of the Luxembourg dynasty viiewed from the Old Town Bridge Tower on sunny summer days is more than impressive.
Powder Tower Mihulka
Prague at the turn of the 16th century was a difficult place to resist, attracting many alchemists, magi, adventures, wise men and crooks who crisscrossed Europe.
At the time it was the largest city in Europe, and was renowned for its riches and above all, freedom.
The Holy Roman Emperor Rudolph II Habsburg, created a city with a deep spiritual atmosphere that was without precedent.
The Prague Castle was governed in Rudolphine freedom.
Along with Queen Anna´s summer palace the most important building for Czech alchemists during Rudolph´s rein was Prague Castle´s Powder Tower, known as Mihulka.
The tower was built in 1496 and served as a cannon bastion overlloking the Stag Moat. Later it was used as a bell foundry, where St. Vitus Cathedral´s greatest bell, Sigismund, was made in 1549. Later, the tower was used for storing gun-powder, until 1754. During Rudolph II.´ sreign it was used as an alchemist laboratory.
"It was difficult for the alchemists to breathe in the muggy atmosphere of the laboratory, full of smoke, gases and a medieval stench, omnipresent in all European cities at a time when sewer systems were still a mystery. Legend says that the alchemists revolted, demanding they be allowed to breathe the fresh air of the Stag Moat, below the Prague Castle. The emperor turned down their request, as it was unthinkable that nonaristocrats would mix with noble society, who ogten gathered in the gardens. Still defiant, the alchemists continued to protest by cutting off all their hair, and throwing their various vessels, bellows, ovens and cauldrons out of the Powdre Tower into the Stag Moat below. Rudolph II was furious, not only because the alchemists had threatened they would produce no more gold, but because they were interrupting the first and the most important principle of their trade: Never abandon a work in progress. Rudolph II had the protesting alchemists brought to the Stag Moat, where he had them thrown into iron cages hung from trees."
Prague Castle - Golden Lane
During the blossoming of the Royal Art under the Emperor Rudolph II, the alchemists did not live in the world-renowend Golden Lane, but in the nearby Poder Tower, known as "Mihulka", and the summer palace Belvedere. The image of the alchemists in their homes is deeply rooted in the imagination, according to legend the emperor personally checked the alchemists´ work in progress, when their doors were locked from inside, and they were apparently at work on transmutation.
Sources of the period reveal that two alchemists were active in the Golden Lane at the turn of the 19th century, one was a baron, the other, a university professor. It is said that the two managed to creat a large amount of gold, but both died tragically, of unknown causes.
"A small house, visible only on some nights, stands near the castle walls at the end of the Golden Lane, it is called The Last Lantern, and ancient tradition states, that the mysterious foundation of Prague lies within its walls. It is abridge between the seen and the unseen, a sphere of human sight that spots the invisible city."
"Aghats you trace your likenes
in the mosaics at Saint Vitus
And that day almost died of grief to see
yourself portrayed
As Lazarus distracted by daylight
The hands of the ghetto clock run backward
You also creep slowly backward through life
Climbing to the Hradchen listening
at twilight to Czech songs from the taverns..."
by French Poet Guillaume Apollinaire
champion of surrealism and Cubism
who visited Prague in 1902 and was taken by the city´s beauty
He wrote about his impressions in the essay "The Prague Passerby", which formed part of his collection of Fantastic prose. In the story the Passerby transforms into Ahasver, a legendary figure of Medieval mysteries, in the poet´s version Ahasver is full of life, dancing in pubs in the night."
text - Jiri Kuchar - "Praha esotericka"
Summer Tourist Season (April 1 till October 31)
Prague Castle complex
6.00 - 22.00
Historical buildings
9.00 – 17.00
Old Royal Palace, exhibition "The Story of Prague Castle", St. George's Basilica, Golden Lane with Daliborka Tower, Prague Castle Picture Gallery, Powder Tower, Rosenberg Palace
St. Vitus Cathedral
Mo - Sa: 9.00 – 17.00; Su: 12.00 - 17.00
Last entrance is always at 16.40. Visitors without the tickets can see the church from the place below the western music gallery. Participants in services in the cathedral enter without the entrance fee. For more information about regular services and special ceremonies see www.katedralasvatehovita.cz.
Exhibition "The Treasure of St. Vitus Cathedral"
10.00 – 18.00
Great South Tower of St. Vitus Cathedral
10.00 – 18.00
Last entrance is always at 17.30
Exhibition halls
10.00 – 18.00
Prague Castle Riding School, Imperial Stables, Theresian Wing, Royal Summer Palace
Prague Castle Gardens
10.00 – 18.00
The Garden on the Bastion
6.00 – 22.00
Winter Tourist Season (November 1 till March 31)
Prague Castle complex
6.00 - 22.00
Historical buildings
9.00 – 16.00
Old Royal Palace, exhibition "The Story of Prague Castle", St. George's Basilica, Golden Lane with Daliborka Tower, Prague Castle Picture Gallery, Powder Tower, Rosenberg Palace.
St. Vitus Cathedral
Mo - Sa: 9.00 – 16.00; Su: 12.00 - 16.00
Last entrance is always at 15.40. Visitors without the tickets can see the church from the place below the western music gallery. Participants in services in the cathedral enter without the entrance fee. For more information about regular services and special ceremonies see www.katedralasvatehovita.cz.
Exhibition "The Treasure of St. Vitus Cathedral"
10.00 – 17.00
Great South Tower of St. Vitus Cathedral
10.00 – 17.00
Last entrance is always at 16.30
Exhibition halls - 10.00 – 18.00
Prague Castle Riding School, Imperial Stables, Theresian Wing, Royal Summer Palace
Prague Castle Gardens
Prague Castle gardens (except of the one below) including the Stag Moat are closed in Winter tourist season.
The Garden on the Bastion - 6.00 – 22.00
Our popular tours are outlined on our web sites:
www.private-tours.net
www.private-tours.cz
jewish.tourstoprague.com